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Well, the time is here at last. Safe Haven goes into production this week. Lines are learned, sets are built, and all the little details are (I hope!) taken care of. Time for the director to sit back, relax (yeah, right!) and enjoy the show.
There’s a theater tradition that, going into production week, the director hands the show over to the stage manager. That’s all well and good, and I have nothing but confidence in our stage manager, but as we came into this week, I decided to try something different. I handed the show over to the real Stage Manager. That would be God.
Not that I haven’t always given the shows over to God. (Not much choice, really. They’re His shows.) But I don’t remember ever doing it so specifically before. This was Saturday, and I was in the auditorium spending some time in prayer for the production. I told God that I was taking my hands off, and I was putting the show into His hands. I told Him that He was the manager and controller of the play. And then I stepped back.
And truly, I have stepped back. Okay, yes, I’m still watching rehearsals and giving notes. And yes, I’m still dealing with details. But I’m not obsessing with worry over the show the way I usually do.
Why should I? It’s in good hands.
“Oh, what peace we often forfeit,
Oh, what needless pain we bear.
All because we do not carry
Everything to God in prayer.”
“What a Friend We Have in Jesus” is kind of the theme song for Safe Haven, and I’ve downloaded about six different versions of it to use for scene change music during the play. So I’ve been listening to this song over and over and really hearing it for the first time.
God’s answers to prayer are not our answers. This is shown rather vividly in the play when one character has his prayer answered in a way no one would ever choose. Yet, in God’s plan, everything has worked together for good.
I’m seeing this in my life right now, as well. (Funny how often I find myself dealing with whatever we’re working on dramatically.) I pray for peace and healing, and I’d like God to wave His magic wand and make it happen. Yet God’s answer is, Follow Me through this desolate wasteland – peace is on the other side. I ask, Can’t we go around? But God is firm. The only way out is through.
So here we are, wandering in the wilderness. I think back to the words of the song – Oh, what peace we often forfeit…All because we do not carry everything to God in prayer. If this is peace, why does it feel like so much turmoil? That’s when I have to cling to faith and just keep following Him, knowing He’s promised to bring me through.
If only I could learn this as well as the characters I write do.
Well, auditions are over. I had twelve really talented people audition last night. Unfortunately, there are fourteen roles in the play. Perhaps I went too far with my “this will be an intense rehearsal period; don’t come if you can’t commit” speeches.
So now there are decisions to be made. Regular casting decisions, of course, but also decisions about what to do with my lack of actors. One of the roles is quite small and can be easily doubled – no problem there. But I’m still one short. So do I go beat the bushes and drag in an actor who wasn’t sure he wanted to commit? It seems like a bad idea – I’d regret it when he missed rehearsal; he’d regret it when he was overwhelmed by overcommittment. That leads me to Option 2 – there is one role that could potentially be dissolved. I’m not sure that’s a great idea, either, but it is a nice benfit of writing your own scripts rather than renting them – I can do that kind of thing without breaking copyright law.
As Kiera reminded me in her comment to my previous post, this kind of decision can only be made through prayer. I know that God is the real director of this drama ministry, and I’m only a representative. But it’s hard to sit quietly and listen for that still, small voice when my mind is clamoring, “Hurry up, make a decision, everyone’s waiting.” It’s so temting to jump out and make a decision, any decision, just to have it done. I know that God gave me the inspiration for this script, and I know that He knows exactly how it should all fit together. I just wish He’d give me a call, or send me an e-mail, with His preferred cast list. Oh, and could you do that today, God?
Acts of Faith, over and over and over again.
On the positive side, among the twelve who did come last night, there aren’t many difficult decisions about cast placement. As we did readings, people seemed to fit pretty naturally into one part or another. Some of them fit right where I’d expected them to. In other cases, readings made it clear someone needed to be cast differently than I’d expected. Which is, I guess, why we do readings.
You know, when I typed “among the twelve” in that last paragraph, it suddenly sounded quite biblical to me. The twelve, sent out to spread the Word. Maybe twelve is a better number for this cast than fourteen.
For those readers who auditioned, I’ll post the cast list here as soon as it’s done. For now, be patient. I’m waiting.
I just typed the most beautiful words in a writer’s language – The End. I finished the rough draft of Safe Haven. And the last line even brought tears to my eyes.
Of course, there’s lots of editing to be done, and much work ahead. But I had never written a full-length play before. For the Passion play, I was just arranging a familiar story, and as far as original plots, 45 minutes was the longest play I’d written. I really didn’t know if I could pull this off.
But the script is done. The story is there. And I think it’s going to be good.
Thank You, God, for the inspiration. I know it was You.
